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About me
About me
I'm a journalist, video editor, producer, and technical production manager with over a decade of experience across broadcast news, documentary, and live event production. My work sits at the intersection of storytelling and operational precision, where creative vision meets speed, technical fluency, and cross-functional collaboration. A Silver Telly Award winner and Gabriel Award finalist, I bring both editorial craft and leadership to every production.
I'm a journalist, video editor, producer, and technical production manager with over a decade of experience across broadcast news, documentary, and live event production. My work sits at the intersection of storytelling and operational precision, where creative vision meets speed, technical fluency, and cross-functional collaboration. A Silver Telly Award winner and Gabriel Award finalist, I bring both editorial craft and leadership to every production.
I began my career in Brazil at Globo, the country’s largest television network, where I edited high-profile news and documentary content before advancing into technical coordination and production management roles. There, I led control room and field operations for national broadcasts reaching over 100 million viewers, optimized production workflows, and mentored editors to deliver faster, high-quality results under pressure.
I began my career in Brazil at Globo, the country’s largest television network, where I edited high-profile news and documentary content before advancing into technical coordination and production management roles. There, I led control room and field operations for national broadcasts reaching over 100 million viewers, optimized production workflows, and mentored editors to deliver faster, high-quality results under pressure.
Currently based in Washington, D.C., I work with EWTN News where I continue to bridge editorial storytelling and technical production in a fast-paced newsroom. From shaping narrative structure to ensuring flawless delivery, I bring both creative insight and operational expertise to every project.
Currently based in Washington, D.C., I work with EWTN News where I continue to bridge editorial storytelling and technical production in a fast-paced newsroom. From shaping narrative structure to ensuring flawless delivery, I bring both creative insight and operational expertise to every project.
Tools & Languages:
Tools & Languages:
Certified Avid Media Composer user. Proficient in Adobe Premiere, DaVinci Resolve, EVS, Interplay, Media Central, ENPS, and iNews.
Certified Avid Media Composer user. Proficient in Adobe Premiere, DaVinci Resolve, EVS, Interplay, Media Central, ENPS, and iNews.
Fluent in English and Portuguese; advanced Spanish; intermediate Italian.
Fluent in English and Portuguese; advanced Spanish; intermediate Italian.
Bachelor's in Journalism. Master's in Project Management.
Bachelor's in Journalism. Master's in Project Management.
Awards, Recognition & Professional Service
Awards, Recognition & Professional Service
47th Annual Telly Award — Silver Winner
47th Annual Telly Award — Silver Winner
The Telly Awards
The Telly Awards
Producer & Editor on America's National Eucharistic Revival: The True Presence of Christ, selected among 13,000+ entries worldwide
Producer & Editor on America's National Eucharistic Revival: The True Presence of Christ, selected among 13,000+ entries worldwide
60th Annual Gabriel Awards — Single News Story Finalist
60th Annual Gabriel Awards — Single News Story Finalist
Catholic Media Association
Catholic Media Association
Video Editor on North Pole in New Jersey? This Man Has Been Santa for 60 Years, recognized for excellence in news storytelling.
Video Editor on North Pole in New Jersey? This Man Has Been Santa for 60 Years, recognized for excellence in news storytelling.
Career
Career
(2024 - Present)
Video Editor | Washington, DC
Video Editor | Washington, DC
As a video editor of original documentaries, I contribute to the final script by suggesting soundbites, shaping the narrative structure, and collaborating on graphic and visual storytelling. I edit high-profile news packages, interviews, talk shows, and feature reports for broadcast and digital platforms, leveraging my expert-level proficiency in Avid Media Composer to deliver fast, precise, and polished edits under tight deadlines. I ensure technical accuracy, editorial integrity, and strong visual storytelling.
As a video editor of original documentaries, I contribute to the final script by suggesting soundbites, shaping the narrative structure, and collaborating on graphic and visual storytelling. I edit high-profile news packages, interviews, talk shows, and feature reports for broadcast and digital platforms, leveraging my expert-level proficiency in Avid Media Composer to deliver fast, precise, and polished edits under tight deadlines. I ensure technical accuracy, editorial integrity, and strong visual storytelling.
In addition to editing, I serve as the lead editor, overseeing media asset management and project organization. I operate broadcast routers and support archiving processes to maintain an efficient and accessible post-production environment. I developed clear workflow guides to help editors prepare deliverables and ensure they are delivered properly to the Technical Operations Center (TOC).
In addition to editing, I serve as the lead editor, overseeing media asset management and project organization. I operate broadcast routers and support archiving processes to maintain an efficient and accessible post-production environment. I developed clear workflow guides to help editors prepare deliverables and ensure they are delivered properly to the Technical Operations Center (TOC).
Special Report
Role: Video Editor
One-hour EWTN News documentary exploring Pope Leo XIV’s missionary years in Peru and their lasting impact on his leadership. As video editor, I shaped the narrative, pacing, and emotional arc of the film, working from footage captured over seven days in Peru. The project came together through an intensive three-week edit, balancing storytelling clarity with a rhythm that carries the viewer through both place and memory.
Documentary
Role: Producer & Editor
One-hour national documentary built from over 50 hours of footage captured across the United States over three years. As Producer and Senior Editor, I led the editorial vision, shaping the narrative structure, pacing, and emotional arc of the film. I oversaw media organization, story construction, graphics integration, color correction, audio mixing, and final delivery.
Montage PKG
Role: Lead Editor
One of the most magical aspects of editing is the ability to transport the audience into the heart of the story, making them feel what’s unfolding on the screen. For this five-day event coverage montage, I organized the raw footage, selected the most powerful sound bites and visuals, and used natural sound to create a fully immersive experience.
Interview Segment
Role: Lead Editor
This project captures the emotional essence of Gary Sinise’s late son’s music. I shaped the emotional structure of this interview through editorial research, archival ingest, and intentional pacing. The edit emphasized music-driven storytelling and sound design to support an intimate, authentic broadcast narrative.
Live Broadcast
Role: Editor - Closing Highlights
Edited the closing highlight package for the live broadcast of the 2025 National Catholic Youth Conference, selecting and sequencing key moments under live-production timelines to deliver a polished and emotionally driven conclusion to the event coverage.
Profile Story
Role: Video Editor
For this EWTN News Nightly feature, I edited a character-driven story highlighting the life and quiet faith of an 85-year-old man who has embodied Santa Claus for his community for six decades.
(2023)
Videographer | Boca Raton, FL
Videographer | Boca Raton, FL
I filmed and edited branded videos, interviews, and short-form clips tailored for social media platforms, adapting the pacing and storytelling to fit the style and audience of each format. I managed video projects from pre- to post-production, ensuring quality, brand consistency, and timely delivery.
I filmed and edited branded videos, interviews, and short-form clips tailored for social media platforms, adapting the pacing and storytelling to fit the style and audience of each format. I managed video projects from pre- to post-production, ensuring quality, brand consistency, and timely delivery.
I used Adobe Premiere and After Effects to craft engaging content and operated DSLR equipment (Sony Alpha VII) and professional lighting kits to capture high-quality video and photography for marketing and e-commerce platforms.
I used Adobe Premiere and After Effects to craft engaging content and operated DSLR equipment (Sony Alpha VII) and professional lighting kits to capture high-quality video and photography for marketing and e-commerce platforms.
This project shows my ability to select music that shapes the emotional tone of a story and propels it forward. From concept to final cut, I crafted a bold, attention-grabbing piece that aligned with the brand’s edgy style.
This project showcases my ability to deliver sharp, concise storytelling that is tailored to the rhythm and audience expectations of each channel without compromising style or substance.
Get a behind-the-scenes look at the creation of one of the brand’s most highly anticipated releases. I documented the entire production process, capturing the creative journey and editing a vlog that reflects Soulmate’s energy, authenticity, and connection with its audience.
(2015-2023)
Sr. Video Editor | Post Specialist | Operations Coordinator | Technical Production Manager
Sr. Video Editor | Post Specialist | Operations Coordinator | Technical Production Manager
Rio de Janeiro, RJ & Belo Horizonte, MG/Brazil
My journey at Globo was shaped by my love for all things behind the scenes. From editing urgent news pieces during the Olympic Games to shaping emotional tributes and troubleshooting post-production workflows during Carnaval, I found purpose in the unseen moments, ensuring that everything worked, everything flowed, and the story was always told.
My journey at Globo was shaped by my love for all things behind the scenes. From editing urgent news pieces during the Olympic Games to shaping emotional tributes and troubleshooting post-production workflows during Carnaval, I found purpose in the unseen moments, ensuring that everything worked, everything flowed, and the story was always told.
I started as a video editor in Rio, working across some of the most prominent journalistic and entertainment divisions at Globo, including Jornal Nacional, GloboNews, sports coverage, and long-form specials. I worked on everything from urgent daily packages to 30-minute specials and documentaries. Often, I did so under extreme time pressure and evolving editorial conditions. Editing quickly was one thing, but telling clear, emotionally resonant stories under pressure became my specialty. I also supported live newscasts as an EVS live replay operator, providing rapid video playback during fast-paced coverage. I collaborated closely with the control room team to ensure precise timing and flawless technical execution.
I started as a video editor in Rio, working across some of the most prominent journalistic and entertainment divisions at Globo, including Jornal Nacional, GloboNews, sports coverage, and long-form specials. I worked on everything from urgent daily packages to 30-minute specials and documentaries. Often, I did so under extreme time pressure and evolving editorial conditions. Editing quickly was one thing, but telling clear, emotionally resonant stories under pressure became my specialty. I also supported live newscasts as an EVS live replay operator, providing rapid video playback during fast-paced coverage. I collaborated closely with the control room team to ensure precise timing and flawless technical execution.
Thanks to my strong editorial instincts, I quickly became a trusted name in the newsroom. In my first year, I was invited to become a facilitator, serving as a bridge between the video editors and the editorial team. Each day, I assigned editors to stories based on their complexity, urgency, and tone. I provided performance insights to the post-production manager while ensuring that each segment met Globo’s journalistic standards. Also, mentoring journalists and video editors on Avid Media Composer, Media Central CloudUX, and collaborative newsroom workflows.
Thanks to my strong editorial instincts, I quickly became a trusted name in the newsroom. In my first year, I was invited to become a facilitator, serving as a bridge between the video editors and the editorial team. Each day, I assigned editors to stories based on their complexity, urgency, and tone. I provided performance insights to the post-production manager while ensuring that each segment met Globo’s journalistic standards. Also, mentoring journalists and video editors on Avid Media Composer, Media Central CloudUX, and collaborative newsroom workflows.
When the COVID-19 pandemic hit, I played a pivotal role as a post-production specialist, helping the team transition to remote editing almost overnight. I developed workflow guides, optimized systems, and provided real-time support to editors who were adjusting to remote tools and cloud-based collaboration. For on-site staff, I recommended a rotational shift model to minimize risk, ensuring that half of the team could work from home while the other half remained on-site to maintain smooth operations. Meanwhile, I collaborated closely with the editorial and technical teams to ensure that everything that aired met the same high standards and speed despite the unprecedented challenges.
When the COVID-19 pandemic hit, I played a pivotal role as a post-production specialist, helping the team transition to remote editing almost overnight. I developed workflow guides, optimized systems, and provided real-time support to editors who were adjusting to remote tools and cloud-based collaboration. For on-site staff, I recommended a rotational shift model to minimize risk, ensuring that half of the team could work from home while the other half remained on-site to maintain smooth operations. Meanwhile, I collaborated closely with the editorial and technical teams to ensure that everything that aired met the same high standards and speed despite the unprecedented challenges.
In 2020, I moved to Belo Horizonte and transitioned into a Operational Management role. I coordinated a team of over 50 professionals, including video editors, technical directors, camera operators, and sound board operators. As a Technical Production Manager, I aligned technical and technological resources with editorial needs. I oversaw large-scale production planning and helped lead complex broadcasts company-wide, including presidential elections, New Year's specials, sports coverage, concerts, and Carnaval. As the central link between editorial, technical, and support teams, I navigated last-minute rundown changes, managed studio logistics, and ensured everything ran smoothly under pressure.
In 2020, I moved to Belo Horizonte and transitioned into a Operational Management role. I coordinated a team of over 50 professionals, including video editors, technical directors, camera operators, and sound board operators. As a Technical Production Manager, I aligned technical and technological resources with editorial needs. I oversaw large-scale production planning and helped lead complex broadcasts company-wide, including presidential elections, New Year's specials, sports coverage, concerts, and Carnaval. As the central link between editorial, technical, and support teams, I navigated last-minute rundown changes, managed studio logistics, and ensured everything ran smoothly under pressure.
At Globo, I grew from a storyteller into a leader. I learned that great production is not just about the final edit; it’s about the trust you build with your team, the systems you create to support creativity, and the resilience it takes to bring clarity to the chaos of live television.
At Globo, I grew from a storyteller into a leader. I learned that great production is not just about the final edit; it’s about the trust you build with your team, the systems you create to support creativity, and the resilience it takes to bring clarity to the chaos of live television.
Investigative Series
Role: Lead Editor
I worked closely with the journalist to shape the narrative, identify key sound bites, and develop a compelling visual arc that honored the facts and the people behind them. This was an urgent and sensitive story, and I’m proud that our teamwork was recognized on air. It was uncommon and meaningful for the host to name both me and the producer before the story aired.
Weekly Report
Role: Technical Production Manager
I was responsible for coordinating all technical and logistical aspects of the production — from internal and external equipment allocation to crew coordination in another city. I oversaw the setup and technical readiness of the theater where the band’s performance took place, ensuring seamless integration between the field and studio teams. This segment demanded precise planning, teamwork, and adaptability to deliver a technically flawless and emotionally impactful surprise on live television.
Profile Story
Role: Senior Video Editor
In this tribute to one of Brazil’s most beloved singers, I created a heartfelt narrative through editing, honoring his legacy and the deep emotional connection he shared with generations of fans. The piece balances archival footage, interviews, and music.
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